Mary’s question Thursday about
Glaucon’s equating value with effort got me thinking. We have witnessed
Socrates gently poking at the Athenian habit of answering a moral question by
remembering a line of poetry – e.g. his critical analysis of Simonides in Book
I. One reason the Athenian jury was not crazy to condemn Socrates for
corrupting the youth is that he radically called into question what most people
thought was the right procedure for deliberating about things. Critical thinking
did not supplant appeal to (poetic) authority without a fight.
But as we will see, Socrates also
challenges the central content of Athenian
morality by questioning the signal aspiration of the Homeric ethos: to accomplish something so great
as to be worthy of acclaim and commemoration. The Greek term for this is kleos, meaning ‘glory’ and ‘fame,’ but
also the song that tells of one’s accomplishments. So someone who has kleos is extraordinary, singably
memorable and praisworthy, to a degree sufficient to make him godlike (that is,
immortal. Indeed, to be remembered forever for one’s extraordinary
accomplishments is the only sort of immortality the Greeks took seriously.).
Interestingly, Socrates does not
completely reject this ethos of the extraordinary, but he redefines it
dramatically. Instead of the blustering, self-absorbed heroism of an Achilles
or Odysseus, the Socratic hero is a critical thinker. “The unexamined life is
not worth living for a human being,” Socrates says at his trial, at a moment in
the proceedings calculated to give maximum offense to his judges’ deepest
sensibilities.
So we might say that one thing
Socrates hopes to teach Glaucon is to turn his ambition in a radically
different direction – not to challenge the proposition that great
accomplishment takes great effort, or even the assumption that he should aspire
to greatness, but deeply to problematize the forms of greatness that attract
him..
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